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Archive for the ‘Award Winners’ Category

“Dried Up” wins Silver Student Academy Award for Animation

Monday, June 21st, 2010

Jeremy Casper, Stuart Bury, and Isaiah Powers co-wrote and directed “Dried Up”, a six minute stop motion animation shot with Dragon Stop Motion. Recently, they were awarded the Silver Student Academy Award in the Animation category. The award was presented by Henry Selick.

“Dried Up” is the story of a quiet old man who, surrounded by desolation and apathy, perseveres to remain true to the nature of his own beliefs and character. He toils daily to forge a last ditch effort to bring hope and life to a faithless, drought ridden old town.

Dried Up

Dried Up

Dried Up

As students of animation at Kansas City Art Institute, they were early adopters of Dragon Stop Motion software, and they are some of its biggest fans.

We asked Isaiah Powers about using our software for this film:

“I think first I would simply like to say, thank you. We used Dragon Stop Motion to shoot every frame of our film and the longer we used it the more excited we got about it. Any time we got to a point where we needed a specific feature it was already there. I have never used a bit of software that was so intuitive and allowed us to get straight to work so fast. In the stressful environment of stop-motion production it was a relief. At one point we were ready to start animating Cecil playing his organ and we thought, we need an x-sheet so we can sync his motions to the music… you know I bet there is one programmed in here, so far it has had everything else we wanted. Within a few clicks we found the Dragon X-Sheet and were busy loading music in and setting up the shot.

“Another thing I found especially helpful was the ability to easily switch between the high res photo taken and the preview photos. Our sets were highly detailed and made it possible to keep up with everything. It also helped realign the camera if I accidentally bumped the set in an impromptue dance.

“We had basically no budget for our film. I made a hand cranked camera dolly for about $30. We used clamp lights and waxed paper for diffusion. The most expensive thing we used was hot glue. We scavenged for cardboard and built our sets with found objects. The main character in our film, Cecil builds his creations out of junk he finds around town so we figured if it was good enough for him, it was good enough for us. Dragon is a pro application priced for everyone, and I tell that to anybody who asks me about shooting stopmotion, you gotta use it! “

Cecil House

Dried Up Production

Here is what Jeremy Casper had to say about our software:

“Dragon is affordable for both the professional and student. We basically created our film with very little to no money, so being able to buy such an amazing program made the experience tangible. I could go on and on about Dragon, but seriously who has that kind of time on their hands. To anyone who asks me, Dragon is the only program for this kind of medium, period.”

“Dried Up” continues its way through the animation film festival circuit. Next up is the Melbourne International Animation Festival.

Watch “Dried Up”

Jeremy Casper’s Blog
http://cazpear.wordpress.com
Isaiah Powers’s Site
http://isaiahpowers.com
Stuart Bury’s Blog
http://stuartbury.blogspot.com
Dried Up Blog
http://driedup.wordpress.com

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Max Winston’s “I Live In The Woods!”

Sunday, January 24th, 2010

woods_drawnposter_smgood

Burning through the animation festival circuit, Max Winston’s “I Live In The Woods!” picks up awards and kudos. Cal Arts grad Max Winston’s thesis film is a high energy stop motion feast of colors and colorful characters. Max bravely and seamlessly weaves together on-set stop motion with live actors and exterior shots, creating a short film with an unexpected and fresh esthetic.

Check out “I Live In The Woods” site

Check out a time-lapse making of.

Max_01

Max_05

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Zero Takes Gold For Cinematography

Thursday, December 17th, 2009

Zero-ACS-Award

The ambitious stop motion short “Zero” picked up a NSW Gold Award from the Australian Cinematographers Society in the Experimental and Specialized Category. Zero director Christopher Kezelos gives credit to the exceptional work of the film’s director of photography Mathew Horrex. The film was shot using Dragon Stop Motion software.

Christopher had this to say about using Dragon Stop Motion:

“We shot Zero using a Canon EOS 450D and Nikon prime lenses. Due to the manual nature of this setup, we spent a lot of time using Dragon’s Cinematography tools to set up each shot. I found these tools to be an essential part of our shoot as we spent a lot of time tweaking the camera settings and picture framing before capturing valuable stills. Having the flexibility to shoot hi-res images and quickly flip between them to decide on our final settings was invaluable”.

Writer/Director Christopher Kezelos

Writer/Director: Christopher Kezelos

zero-trailer

About Dragon Stop Motion and post production:

“The most obvious conundrum one can face when shooting a stop motion animation is how to effectively manage the thousands of image files and hundreds of directories required. Dragon made this a breeze. It automatically created a directory structure based on our scene and shot numbers. This sped up our work flow dramatically as it allowed us to cross reference our story board numbers with our directory structure to quickly find the shots we were after. Handy during production, a godsend during post”.

Make sure to check the Zero site to see it at a film festival near you.

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Emmy Award for United States of Tara Title Sequence

Wednesday, September 30th, 2009

On Saturday, September 12, Jamie Caliri and his crew won the Emmy for Outstanding Main Title Design. The sequence, produced by Duck Studios features pop-up book style animation and was shot entirely with Dragon Stop Motion.

United States of Tara Title Sequence

Click to Watch

Credits:

Executive Producer: Mark Medernach
Director/Designer: Jamie Caliri
Illustrator: Alex Juhasz
Lead Animator: Anthony Scott
Title Producer: Morgan Hay

Check out the previous blog posts about the title sequence:
United States of Tara Title Sequence
More on United States of Tara Titles
Animating on ‘United States of Tara’

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Liz Murphy’s Spots for RAC Insurance Win Mobius and More

Sunday, April 12th, 2009

You may have read about Taxi Productions stop motion spots for RAC Insurance on our “Studios” page. We are happy to learn the campaign is being given its due.

From the Taxi website:

A television campaign we produced for RAC Insurance through The Brand Agency, Perth has won an international award in Non-computer Animation from the Mobius Awards.

The campaign, which featured one of the largest and most technically challenging stop motion projects attempted in Australia, received a Certificate for Outstanding Creativity.

AdFest 2009 also awarded RAC Insurance ‘Contents’ a Bronze Film Craft Lotus. A press release issued by Adfest entitled “JURY TOUGH ON FILM CRAFT ENTRIES, WITH ONLY 19 LOTUSES AWARDED” makes the award even more gratifying.

Congratulations to Liz and her crew!!

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United Airlines “Heart” wins the Annie Award

Saturday, January 31st, 2009

Animation industry notables gathered at Royce Hall in Los Angeles for the 36th Annual Annie awards yesterday. ASIFA-Hollywood awarded prizes for last year’s best animation, including projects from film, television, commercials, video games, and short subjects.

It was a night of animation giants, with amazing presenters and presentees such as Henry Selick, Nick Park and John Lasseter.

Best Animated Television Commercial category, director and Dragon Stop Motion co-creator Jamie Caliri picked up the Annie for United Airlines “Heart”.

The commercial was shot using Dragon Stop Motion 1.0 with both Canon and Nikon DSLRs.

fountain

Click here to watch “Heart”

“Heart,” produced by Duck Studios in Los Angeles, included an incredible team, with character designs by Alex Juhasz, paper sculpting by Megan Brain and background designs by Jared Purrington. The lead animators were Scott Kravitz and Eileene Kohlhepp. Yorico Murakami multi-tasked as animator and puppet fabricator along with art department / puppet-maker man, Jeremy “The Beard” Bronson. David Candalaria took on the rigging duties and Huy Vu and Pablo Grande were the fearless art department leaders. Click here for a complete credit list.

A shout-out goes to Seth Green and ShadowMachine for their Best Animated Television Production win: ROBOT CHICKEN: STAR WARS EPISODE II. ShadowMachine runs two Dragon Stop Motion stages for special effects scenes.

A big congratulations to our buddy Mark Osborne and his amazing crew on “Kung Fu Panda” for their sweep of Annie victories.

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Annie award nominations announced today

Monday, December 1st, 2008

Today the nominations were announced for animation’s biggest awards—the Annie awards. United Airlines “Heart”, produced by Duck Studios and directed by Jamie Caliri, was nominated for Best Animated Television Commercial. Warner Bros. Animation “A Miser Brothers Christmas” was nominated for Best Animated Television Production Produced for Children. Both were shot with Dragon Stop Motion software.

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